3030: New Photography in China TThis fully illustrated survey presents the work of 30 of China's most exciting photographers under 30. Here for the first time is presented China’s new generation, unburdened by ideology and immersed in the economic and social changes that have transformed China over the past 20 years. From internationally exhibiting artists to photo-journalists,...(展开全部)

Modern art, reflecting and defining new intellectual, scientific and technological developments, has radically extended the conventional media of sculpture and painting. Following innovative ideas about representation and the free use of materials in Cubism, Futurism and Surrealism - particularly in the work of Duchamp - artists abandoned strict adherence to traditional hierarc...(展开全部)

New Photography in Britain Sunday 20th April at 11.30am at the Galleria Civica di Modena sees the opening of the exhibition In Our World. New Photography in Britain, curated by Filippo Maggia. Organised and produced by the Galleria Civica di Modena and the Fondazione Cassa di Risparmio di Modena this group show has been put together in collaboration with the Royal College of Ar...(展开全部)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important ...(展开全部)

格奥尔格·G.伊格尔斯（1926-）史学家和史学理论领域著名德裔学者，美国布法罗纽约州立大学教授著有《对权威的崇拜：圣西门的政治哲学》（1958）、《德国的历史观》（1968）、《欧洲史学的新方向》（1975）、《哥廷根大学，1760-1800；及历史研究的转变》（1980）、《20世纪的历史学：国际视野中的批判性概述》（1993）等。

The surge in 3-D graphic application is often attributed to designers’ love-and-hate relationship with the ubiquitous digital technology. Designers possessing a diverse set of skills today – from a knack for materials, 3-D model-making skills, to the expertise and aesthetic sensibilities in lighting and shooting - always look for possibilities of stretching the medium of presen...(展开全部)

作者残雪，原名邓小华。先锋派文学的代表人物，其作品以关注女性内心的状态为特征，是具有鲜明个性化创造风格的作家，她着眼于深层的精神世界，不断开拓和挖掘，在中国文学界是一个极为独特的存在。她的很多作品很早就被海外文学界翻译和介绍，代表作《黄泥街》、《苍老的浮云》等。